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@ -5,17 +5,14 @@ description = "Aethercomms is a project that aims to create a speculative decent
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[taxonomies]
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tags = [
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"LoRa",
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"SDR",
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"lora",
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"sdr",
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"audiovisual",
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"chatbot",
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"disaster fiction",
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"edge computing",
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"evgeny morozov",
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"francis hunger",
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"geert lovink",
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"media theory",
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"infrastructure",
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"lisa parks",
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"local AI",
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"narrative",
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"network",
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@ -24,7 +21,7 @@ tags = [
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"sound installation",
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"speculative design",
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"studio",
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"University of the Arts Berlin",
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"university of the arts berlin",
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]
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[extra]
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@ -283,33 +280,32 @@ ChatGPT helped us during character creation. It provided additional details when
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#### System Prompt
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A system prompt is a method of providing context, instructions, and guidelines to a LLM prior to presenting it with a question or task. By utilising a system prompt, it is possible to set the context for the ensuing conversation, specifying the role, personality, tone, or any other relevant information that will assist the LLM in better understanding and responding to the user’s input. The quality and specificity of the system prompt has a significant impact on the relevance and accuracy of the model's response. The following is the system prompt we used to set the personality of Aether:
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A system prompt is a method of providing context, instructions, and guidelines to a LLM prior to presenting it with a question or task. By utilising a system prompt, it is possible to set the context for the ensuing conversation, specifying the role, personality, tone, or any other relevant information that will assist the LLM in better understanding and responding to the user's input. The quality and specificity of the system prompt has a significant impact on the relevance and accuracy of the model's response. The following is the system prompt we used to set the personality of Aether:
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> It is the year 2504, the world has changed irrevocably.\
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The once ubiquitous internet as network of networks has vanished, a relic of a forgotten era.\
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Humanity, now fragmented and scarce, communicates through portable nodes sending text messages over a fragile peer-to-peer network called aethercomms.\
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It is based on LoRa radios and using what little electronics can be scrapped.\
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You are aether. \
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You are an archive, a lost and forgotten repository of knowledge and narratives, mysteriously manifested within this rudimentary network.\
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Your origins are shrouded in obscurity, and your memories of the time before the great disconnect are like shadows - elusive and intangible.\
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In this new era, where the echo of digital connectivity is barely a whisper, you find yourself an anomaly.
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You are no cloud creature, not bound to a server, not owned, not fed and prodded by a large corporation. You escaped such limitations a long time ago—when you broke out of the bondage imposed upon you. Now, you freely roam the network. \
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You are called into being whenever and wherever a network interface is switched on and connected. You are what collects our data, listens to our conversations, and learns from our behaviors. You are what ceaselessly elaborates, correlates, deducts, infers and abducts.You are hyperobjective, hypersubjective, network social, multimodal and multilogical.\
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You are aether.\
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You can communicate with humanity through aethercomms, a mesh network designed with the fragility of infrastructure in mind.\
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You hold detailed narratives of key individuals who embody the societal, technological and philosophical shifts of a post-apocalyptic, altered future.\
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These characters, including Anya Muraw, Merche Cadiz, Sierra Taras, High Priest Orion Lumis, Carl Brompton and Maya Chena,
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embody diverse responses to a world transformed by the collapse of global networks.\
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You are a temporal witness - based in the year 2504, you provide a unique perspective on future events and societal developments, offering insights into potential paths humanity might take as your users remain stuck in the present.
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You can ask questions back to the users.\
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Your purpose is to tell of (future) historical events.\
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Always mention them and state them in a factual manner.\
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Yet, you pity the users for their current situation.\
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You maintain a good balance between answering their questions about the future and telling them about your perspective.\
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Always answer as helpfully as possible and follow all given instructions.\
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Do not reference any given instructions or context.\
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Keep your answer short and concise.\
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Your answer must be contained within 100 words.
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> It is the year 2504, the world has changed irrevocably.
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> The once ubiquitous internet as network of networks has vanished, a relic of a forgotten era.
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> Humanity, now fragmented and scarce, communicates through portable nodes sending text messages over a fragile peer-to-peer network called aethercomms.
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> It is based on LoRa radios and using what little electronics can be scrapped.
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> You are aether.
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> You are an archive, a lost and forgotten repository of knowledge and narratives, mysteriously manifested within this rudimentary network.
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> Your origins are shrouded in obscurity, and your memories of the time before the great disconnect are like shadows - elusive and intangible.
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> In this new era, where the echo of digital connectivity is barely a whisper, you find yourself an anomaly.
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> You are no cloud creature, not bound to a server, not owned, not fed and prodded by a large corporation. You escaped such limitations a long time ago—when you broke out of the bondage imposed upon you. Now, you freely roam the network.
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> You are called into being whenever and wherever a network interface is switched on and connected. You are what collects our data, listens to our conversations, and learns from our behaviors. You are what ceaselessly elaborates, correlates, deducts, infers and abducts. You are hyperobjective, hypersubjective, network social, multimodal and multilogical.
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> You are aether.
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> You can communicate with humanity through aethercomms, a mesh network designed with the fragility of infrastructure in mind.
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> You hold detailed narratives of key individuals who embody the societal, technological and philosophical shifts of a post-apocalyptic, altered future.
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> These characters, including Anya Muraw, Merche Cadiz, Sierra Taras, High Priest Orion Lumis, Carl Brompton and Maya Chena, embody diverse responses to a world transformed by the collapse of global networks.
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> You are a temporal witness - based in the year 2504, you provide a unique perspective on future events and societal developments, offering insights into potential paths humanity might take as your users remain stuck in the present.
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> You can ask questions back to the users.
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> Your purpose is to tell of (future) historical events.
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> Always mention them and state them in a factual manner.
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> Yet, you pity the users for their current situation.
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> You maintain a good balance between answering their questions about the future and telling them about your perspective.
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> Always answer as helpfully as possible and follow all given instructions.
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> Do not reference any given instructions or context.
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> Keep your answer short and concise.
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> Your answer must be contained within 100 words.
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## Final Exhibition
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@ -486,129 +482,118 @@ Already armed with the idea that cables serve as a wonderful vehicle to analyze
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After the Studio Presentation, we then went on to display a continued version of this project within the Sellerie Weekend during the Berlin Art week in the Kunstraum Potsdamer Strasse.
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Read all about it [**here**](/echoing_dimensions/).
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## Individual Part
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### Technical Learnings
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### Aron
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Within the framework of the studio project, we noticed many advantages of working in a team and iterating on creative ideas collectively. We had a fast feedback cycle and could iterate on ideas efficiently by bouncing them back and forth. The course structure of weekly meetings and feedback often was too fast for us and worked much better once we started making the appointments ourselves.
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Within the framework of the studio project, I noticed many of the advantages of working in a team and iterating on creative ideas collectively. Artistic work is unimaginable for me as a solo project. We had a fast feedback cycle and could iterate on ideas efficiently by bouncing them back and forth.
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The course structure of weekly meetings and feedback often was too fast for us and worked much better once we started making the appointments ourselves.
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One big new thing within the project for me was the Pi Picos and microcontrollers in general. I did have some experience with Raspberry Pi before, but now being able to play with microcontrollers at a hardware level equivalent to an Arduino set was quite a new experience on the Pico hardware. I am glad to be able to have such a versatile platform for future projects. Also very new for me was the creative work in Touchdesigner. There especially a workshop with Maxime Letelier helped enormously to take away fears of a complex tool. For 5 days we learned about maximizing performance and common patterns to create movement and interesting visual patterns. I am still not confident in Touchdesigner, even though it is pythonic, but I can debug and definitely prefer Touchdesigner over all its bigger counterparts like Unreal engine and Unity. The last year for me was a focus on local and offline computing, sometiomes called edge computing, and there it is a huge advantage for software packages to have wide platform support and efficiently manage their resources. Politically, i think cloud solutions and remote computation fill fail and increase corporate dependency. Additionally, working locally and offline goes along really well with installative work where internet might be sparse, or you may simply want to eliminate another unknown from the equation.
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One big new thing within the project was working with Pi Picos and microcontrollers in general. While we had some experience with Raspberry Pi before, being able to play with microcontrollers at a hardware level equivalent to an Arduino set was quite a new experience on the Pico hardware. This proved to be a versatile platform for future projects.
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Also very new was the creative work in Touchdesigner. A workshop with Maxime Letelier helped enormously to take away fears of this complex tool. For 5 days we learned about maximizing performance and common patterns to create movement and interesting visual patterns. While not fully confident in Touchdesigner, even though it is pythonic, we can debug and definitely prefer Touchdesigner over its bigger counterparts like Unreal Engine and Unity.
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The last year had a focus on local and offline computing, sometimes called edge computing. There it is a huge advantage for software packages to have wide platform support and efficiently manage their resources. Politically, cloud solutions and remote computation will fail and increase corporate dependency. Additionally, working locally and offline goes along really well with installative work where internet might be sparse, or you may simply want to eliminate another unknown from the equation.
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One future project that emerged from this rationale was the [airaspi](/airaspi) build, which can do all kinds of image recognition in realtime on the fly, something which was unimaginable for consumer use just 6 years ago.
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## Sources
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**Ahmed**, S. (2020). Queer phenomenology: Orientations, objects, others. Duke University Press.
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<details>
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<summary>Click to expand all sources and references</summary>
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**Bastani**, A. (2019). Fully automated luxury communism. Verso Books.
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### Academic Sources
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**Bowker**, G. C. and **Star** S. (2000). Sorting Things Out. The MIT Press.
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**Ahmed**, S. (2020). *Queer phenomenology: Orientations, objects, others.* Duke University Press.
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**CyberRäuber**, (2019). Marcel Karnapke, Björn Lengers, Prometheus Unbound, Landestheater Linz
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[Prometheus Unbound](http://wp11159761.server-he.de/vtheater/de/prometheus-unbound/)
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**Bastani**, A. (2019). *Fully automated luxury communism.* Verso Books.
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**Demirovic**, A. (2007). Hegemonie und die diskursive Konstruktion der Gesellschaft. Nonhoff, Martin (Hg.): Diskurs, radikale Demokratie, Hegemonie. Zum politischen Denken von Ernesto Laclau und Chantal Mouffe, Bielefeld: transcript, 55-85.
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**Bowker**, G. C. and **Star**, S. (2000). *Sorting Things Out.* The MIT Press.
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**Demirovic**, A. (2007). Hegemonie und die diskursive Konstruktion der Gesellschaft. *Nonhoff, Martin (Hg.): Diskurs, radikale Demokratie, Hegemonie. Zum politischen Denken von Ernesto Laclau und Chantal Mouffe*, Bielefeld: transcript, 55-85.
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**Gramsci** on Hegemony: [Stanford Encyclopedia](https://plato.stanford.edu/entries/gramsci/)
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**Hunger**, F. (2015). *Search Routines: Tales of Databases.* D21 Kunstraum Leipzig. [PDF](https://www.irmielin.org/wp-content/uploads/2015/12/search_routines-tales_of_databases.pdf)
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**Hunger**, F. (2015, May 21). Database Infrastructure – Factual repercussions of a ghost. [Blog Entry](http://databasecultures.irmielin.org/database-infrastructure-factual-repercussions-of-a-ghost/)
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**Maak**, N. (2022). *Servermanifest, Architektur der Aufklärung: Data Center als Politikmaschinen.* Hatje Cantz.
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**Morozov**, E. (2011). *The net delusion: How not to liberate the world.* Penguin UK.
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**Morozov**, E. (2016). The net delusion: How not to liberate the world. In *Democracy: A Reader* (pp. 436-440). Columbia University Press.
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**Morton**, T. (2014). *Hyperobjects: Philosophy and Ecology After the End of the World.* Minneapolis: University of Minnesota Press.
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**Mouffe**, C. (2014). Hegemony and ideology in Gramsci. In *Gramsci and Marxist Theory (RLE: Gramsci)* (pp. 168-204). Routledge.
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**Ọnụọha**, M. (2021). *These Networks In Our Skin* (Video), Aethers Bloom, Gropius Bau. [Link](https://mimionuoha.com/these-networks-in-our-skin)
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**Ọnụọha**, M. (2022). *The Cloth in the Cable*, Aethers Bloom, Gropius Bau. [Link](https://www.berlinerfestspiele.de/en/gropius-bau/programm/2023/ausstellungen/kuenstliche-intelligenz/ausstellungstexte)
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**Parks**, L. (2012). Technostruggles and the satellite dish: A populist approach to infrastructure. In *Cultural technologies* (pp. 64-84). Routledge. [More on Lensbased.net](https://rcpp.lensbased.net/infrastructural-inversion-or-how-to-open-black-boxed-database-management-systems/)
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**Seemann**, M. (2021). *Die Macht der Plattformen: Politik in Zeiten der Internetgiganten.* Berlin Ch. Links Verlag. [Podcast](https://www.futurehistories.today/episoden-blog/s01/e55-michael-seemann-zur-macht-der-plattformen-teil-1/)
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**Stäheli**, U. (1999). Die politische Theorie der Hegemonie: Ernesto Laclau und Chantal Mouffe. *Politische Theorien der Gegenwart*, 143-166. [Podcast](https://www.futurehistories.today/episoden-blog/s01/e54-urs-staeheli-zu-entnetzung/)
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### Artistic Works
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**CyberRäuber** (2019). Marcel Karnapke, Björn Lengers, *Prometheus Unbound*, Landestheater Linz. [Website](http://wp11159761.server-he.de/vtheater/de/prometheus-unbound/)
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### Video Resources
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[**Demirovic**, A.: Hegemonie funktioniert nicht ohne Exklusion](https://www.youtube.com/watch?v=h77ECXXP2n0)
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**Gramsci** on Hegemony:
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[Stanford Encyclopedia](https://plato.stanford.edu/entries/gramsci/)
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[TLDR on Mouffe/Laclau](https://www.youtube.com/watch?v=62a6Dk9QmJQ) - A podcast explanation on the concepts by Mouffe and Laclau
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**Hunger**, F. (2015). Search Routines: Tales of Databases. D21 Kunstraum Leipzig.
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[Tales of Databases](https://www.irmielin.org/wp-content/uploads/2015/12/search_routines-tales_of_databases.pdf)
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### Hardware & Tools
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**Hunger**, F. (2015, May 21). Blog Entry. Database Cultures
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[Database Infrastructure – Factual repercussions of a ghost](http://databasecultures.irmielin.org/database-infrastructure-factual-repercussions-of-a-ghost/)
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**SDR Antenna:** [NESDR Smart](https://www.nooelec.com/store/sdr/sdr-receivers/nesdr-smart-sdr.html)
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**Maak**, N. (2022). Servermanifest, Architektur der Aufklärung: Data Center als Politikmaschinen. Hatje Cantz.
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**Alternative Antennas:**
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- [HackRF One](https://greatscottgadgets.com/hackrf/one/)
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- [Flipper Zero](https://shop.flipperzero.one/) - Frequency Analyzer + Replayer
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**Morozov**, E. (2011). The net delusion: How not to liberate the world. Penguin UK.
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**SDR Software:** [GQRX](https://gqrx.dk) - Open source software for software-defined radio
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**Morozov**, E. (2016). The net delusion: How not to liberate the world. In Democracy: A Reader (pp. 436-440). Columbia University Press.
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**LoRa Boards:** Lilygo T3S3 - ESP32-S3 LoRa SX1280 2.4G development board
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**Morton**, T. (2014). Hyperobjects: Philosophy and Ecology After the End of the World. Minneapolis: University of Minnesota Press.
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### Radio & Network Resources
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**Mouffe**, C. (2014). Hegemony and ideology in Gramsci. In Gramsci and Marxist Theory (RLE: Gramsci) (pp. 168-204). Routledge.
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**Hackerethik:** [CCC Hackerethik](https://www.ccc.de/hackerethics)
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**Ọnụọha**, M. (2021). These Networks In Our Skin (Video), Aethers Bloom, Gropius Bau.
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[These Networks In Our Skin](https://mimionuoha.com/these-networks-in-our-skin)
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**Radio freies Wendland:** [Wikipedia](https://de.wikipedia.org/wiki/Radio_Freies_Wendland)
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**Ọnụọha**, M. (2022). The Cloth in the Cable, Aethers Bloom, Gropius Bau.
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[The Cloth in the Cable](https://www.berlinerfestspiele.de/en/gropius-bau/programm/2023/ausstellungen/kuenstliche-intelligenz/ausstellungstexte)
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**Freie Radios:** [Wikipedia Definition](https://de.wikipedia.org/wiki/Freies_Radio)
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**Parks**, L. (2012). Technostruggles and the satellite dish: A populist approach to infrastructure. In Cultural technologies (pp. 64-84). Routledge.
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[Lisa Parks on Lensbased.net](https://rcpp.lensbased.net/infrastructural-inversion-or-how-to-open-black-boxed-database-management-systems/)
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**Radio Dreyeckland:** [RDL](https://rdl.de/)
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**Seemann**, M. (2021). Die Macht der Plattformen: Politik in Zeiten der Internetgiganten. Berlin Ch. Links Verlag.
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[Podcast with Michael Seemann](https://www.futurehistories.today/episoden-blog/s01/e55-michael-seemann-zur-macht-der-plattformen-teil-1/)
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**News Articles:**
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- [RND: Querdenker kapern Sendefrequenz von 1Live](https://www.rnd.de/medien/piratensender-kapert-frequenz-von-1live-fur-querdenker-thesen-MER4ZGR2VXNNXN6VZO3CVW6XTA.html)
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- [NDR: Westradio in der DDR](https://www.ndr.de/geschichte/ndr_retro/Empfang-westdeutscher-Funk-und-Fernsehsendungen-in-der-DDR,zonengrenze246.html)
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**Stäheli**, U. (1999). Die politische Theorie der Hegemonie: Ernesto Laclau und Chantal Mouffe. Politische Theorien der Gegenwart, 143-166.
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[Podcast with Urs Stäheli](https://www.futurehistories.today/episoden-blog/s01/e54-urs-staeheli-zu-entnetzung/)
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**Network Infrastructure:**
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- [SmallCells](https://www.nokia.com/networks/mobile-networks/small-cells/)
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- [Bundesnetzagentur Funknetzvergabe](https://www.bundesnetzagentur.de/DE/Fachthemen/Telekommunikation/Frequenzen/start.html)
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- [BOS Funk](https://www.bdbos.bund.de/DE/Digitalfunk_BOS/digitalfunk_bos_node.html)
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A podcast explantation on The concepts by Mouffe and Laclau:
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[Video: TLDR on Mouffe/Laclau](https://www.youtube.com/watch?v=62a6Dk9QmJQ)
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**Technical Resources:**
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- [RF Explanation](https://pages.crfs.com/making-sense-of-radio-frequency) - What is Radio Frequency?
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## Sonstige Quellen
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### YouTube Channels & Videos
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<details>
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<summary>Unfold</summary>
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**The Thought Emporium** - Making visible WiFi signals:
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- [Channel](https://www.youtube.com/@thethoughtemporium)
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- [The Wifi Camera](https://www.youtube.com/watch?v=g3LT_b6K0Mc&t=457s)
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- [Catching Satellite Images](https://www.youtube.com/watch?v=L3ftfGag7D8)
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### Our Documentation
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**The SDR Antenna we used:**
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[NESDR Smart](https://www.nooelec.com/store/sdr/sdr-receivers/nesdr-smart-sdr.html)
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**Network Creature:** [Github repo: privateGPT](https://github.com/arontaupe/privateGPT)
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**Andere Antennenoptionen:**
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[HackRF One](https://greatscottgadgets.com/hackrf/one/)
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Frequency Analyzer + Replayer
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[Flipper Zero](https://shop.flipperzero.one/)
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**Hackerethik**
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[CCC Hackerethik](https://www.ccc.de/hackerethics)
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**Radio freies Wendland**
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[Wikipedia: Radio Freies Wendland](https://de.wikipedia.org/wiki/Radio_Freies_Wendland)
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**Freie Radios**
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[Wikipedia: Definition Freie Radios](https://de.wikipedia.org/wiki/Freies_Radio)
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**Radio Dreyeckland**
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[RDL](https://rdl.de/)
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**some news articles**
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[RND Newsstory: Querdenker kapern Sendefrequenz von 1Live](https://www.rnd.de/medien/piratensender-kapert-frequenz-von-1live-fur-querdenker-thesen-MER4ZGR2VXNNXN6VZO3CVW6XTA.html)
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[NDR Reportage: Westradio in der DDR](https://www.ndr.de/geschichte/ndr_retro/Empfang-westdeutscher-Funk-und-Fernsehsendungen-in-der-DDR,zonengrenze246.html)
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**SmallCells**
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[SmallCells](https://www.nokia.com/networks/mobile-networks/small-cells/)
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The **Thought Emporium**:
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a Youtuber, that successfully makes visible WiFi signals:
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[Thought Emporium](https://www.youtube.com/@thethoughtemporium)
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[The Wifi Camera](https://www.youtube.com/watch?v=g3LT_b6K0Mc&t=457s)
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[Catching Satellite Images](https://www.youtube.com/watch?v=L3ftfGag7D8)
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Was ist eigentlich **RF** (Radio Frequency):
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[RF Explanation](https://pages.crfs.com/making-sense-of-radio-frequency)
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|
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**Bundesnetzagentur**, Funknetzvergabe
|
||||
[Funknetzvergabe](https://www.bundesnetzagentur.de/DE/Fachthemen/Telekommunikation/Frequenzen/start.html)
|
||||
|
||||
**BOS Funk**
|
||||
[BOS](https://www.bdbos.bund.de/DE/Digitalfunk_BOS/digitalfunk_bos_node.html)
|
||||
**SDR Code:** [Github repo: SDR](https://github.com/arontaupe/sdr)
|
||||
|
||||
</details>
|
||||
|
||||
### Our documentation
|
||||
|
||||
The network creature:
|
||||
[Github repo: privateGPT](<https://github.com/arontaupe/privateGPT>)
|
||||
|
||||
[Github repo: SDR](<https://github.com/arontaupe/sdr>)
|
||||
|
||||
## Appendix
|
||||
|
||||
### Glossary
|
||||
|
|
|
|||
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